Most of the Graphic Design Teachers are not familiar with the Calibration of ICC, & ICM Profiles for a WYSIWYG Print-out. Further Dye Sublimation Inks does not have an ICM or ICC profile So you cannot expect a WYSIWYG Printout and nobody adds these profiles with the Graphic card or with the Monitors. Most of the Graphical users or Tutors use un-Branded Monitors and Scanners. Gamma correction are not being done according to the monitors. So the customers See a Green Color in your monitor and expects the same on their products. Which will not be able to give unless you calibrate these things including the Inks that you use. If you can teach into this professionalism you could get the closest possible color frame. So you have to tackle the issues of RGB verses CMYK. Example : to see the difference try to make a TIFF file converting an RGB Image to TIFF and the Same Image Convert it in CMYK image into TIFF. Most of the Digital large Format Printers accept TIFF files.
Most of the Graphic Design Teachers are not familiar with the Calibration of ICC, & ICM Profiles for a WYSIWYG Print-out. Further Dye Sublimation Inks does not have an ICM or ICC profile So you cannot expect a WYSIWYG Printout and nobody adds these profiles with the Graphic card or with the Monitors. Most of the Graphical users or Tutors use un-Branded Monitors and Scanners. Gamma correction are not being done according to the monitors. So the customers See a Green Color in your monitor and expects the same on their products. Which will not be able to give unless you calibrate these things including the Inks that you use. If you can teach into this professionalism you could get the closest possible color frame. So you have to tackle the issues of RGB verses CMYK. Example : to see the difference try to make a TIFF file converting an RGB Image to TIFF and the Same Image Convert it in CMYK image into TIFF. Most of the Digital large Format Printers accept TIFF files.
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